Sunday, October 21, 2018

Schedule for October 22 -26, 2018




Tues., Oct. 23 - BOOK: Weeping Moon
by Maria Grazia Swan

Thurs., Oct. 25 - ART: The Dance Surreal by
Texas Collage Artist Parker Kaufman

Fri., Oct. 26 - BOOK: Red Sarah
by Carol Ann Kauffman

Friday, October 19, 2018

BOOK: MacKalvey House by Carol Ann Kauffman

BOOK: MacKalvey House by Carol Ann Kauffman





























MacKalvey House

by Carol Ann Kauffman

Young American Michelle Rosemont visits England after college graduation and 
decides to stay. She takes a job as photographer for a historical magazine and 
falls in love with the extremely unpopular Kenneth MacKalvey, an older British 
author with a shady past. 

Old families scars resurface and play havoc with Michelle and Kenneth's relationship,
as she struggles to come to terms with her father's abandonment and unforeseen
family issues, as well as a ruthless redhead.


Dear Gentle Readers,
If you read Echo of Heartbreak, A Recipe for Life, then I think you will 
enjoy this one, too. It is not a sequel. In. fact, Echo of Heartbreak was 
a prequel.
In preparing to write this book, I needed a clear picture in my mind of 
Michelle's mother, Melina Valentina Rosemont, because she is paramount 
to the formation of Michelle's persona. Her fears, strengths, and 
personality are strongly tied to her mother.
In the end, I had so much information on Melina, I thought she deserved 
her own little book, with recipes, tips on housekeeping and wardrobe 
planning, and insights on life. So, Echo of Heartbreak, A Recipe for 
Life came into being.

Amazon Buy Link:
Echo of Heartbreak  http://tinyurl.com/n2eblyu 

Amazon Buy Link:
MacKalvey House http://tinyurl.com/jykdlxr

EXCERPT:
“Sir, did you remember today is Wednesday?”
“Wednesday, yes.  What of it?”
“Miss Michelle Rosemont is coming today to photograph the grounds of the estate for the May issue of Historic Hazelton 
Magazine?”
“Oh, damn the hell, yes, I forgot all about it. Edwards, can you be a dear a handle it for me?  I haven’t the stomach for schmoozing with an American photographer today, when I have all this dead Greta mess to deal with.  I don’t feel like chatting.  And I hate painters in the house.  They’re messy and smelly.  And noisy. And talk about noisy, hardwood floor refinishers with their power equipment, my head will ache for a week after they are done.  Do you think we could find one who doesn’t use power equipment?”
“So, you would like one quiet man, preferably a mute, who uses only sandpaper?”
“Yes, Edwards, that would be lovely!  Could you?” Mr. MacKalvey perked up.
“I’ll make some phone calls, sir, and see what I can find to suit you.”
“Thank you, Edwards.”
“Ah, sir?   You also invited Miss Rosemont to have lunch with you here at the estate when she was finished.  I think you shall have to chat and schmooze, just a little.”
“Lunch?  Chat? Schmooze?  LUNCH?  I did? Yes, I did, I remember now.  Oh, no!”
“Yes, sir, that was before Greta so rudely offed herself, without giving any consideration to your ever-expanding social calendar.”
“This is such a major inconvenience!  What on earth would possess me to do such a thing?”
“I don’t know, sir.  It seemed so very out of character for you at the time, I almost doubted your sanity.  It was so… social.”
“What in heaven’s name was I thinking?”

“I have NO idea, sir.”
“We have no cook.  Well, just tell her… tell her I’m… ill,” said Mr. MacKalvey with a dismissive wave, turned, and went upstairs to his suite and closed the door.
A few hours later, the doorbell rang and Mr. MacKalvey heard the lilt of a female voice in the house.  He crept to the top of the stairs where he could hear everything, but still remain hidden.  Lovely voice. He remembered her voice from their phone conversation.   He knew that voice.  It made him smile.  Pleasant. Cheerful.  Silken.  But from where?  That voice, THAT’S what made him invite her to lunch, the sound of her voice.  He wanted to hear more of it.  Damn siren’s call.  It compelled him.  She was probably horrendously ugly and shaped like a manatee.
“Miss Rosemont, I am so very sorry to inform you that Mr. MacKalvey is very ill and will not be able to join you for lunch, but I could fix you a bowl of shredded wheat and a cup of tea if you wish, because our cook is just dead.”
“No, please don’t worry about lunch.  I’m not hungry.  But I am so terribly disappointed!  I was so looking forward to meeting the wonderful Kenneth MacKalvey.”
“You were?  Why on earth?”
“Something about that man fascinates me, Bernard.”
Kenneth MacKalvey leaned his head back on the door and gave a little smile as he listened to the conversation.  That sweet, lovely voice… saying sweet, lovely things.  About him!
“You’ve got to be joking,” Edwards said with a laugh.
“No, Bernard, I’m not.  I only agreed to do this photo shoot out here in the middle of nowhere so I could get to meet him.  I’m really disappointed that he’s ill.  I do hope it’s nothing serious.”
“Oh, I’m afraid it is.  Terminal, in fact.  Have you heard about his reputation?”
“His reputation?  As an author?  Or as an art critic, you mean?”
“Ah, yes.  That’s the one I mean.”
“Well, I heard he could be a little harsh at times. But I’ve read every book and article he’s written that I could lay my hands on, and I love the way he writes. I love his choice of words, the way he weaves in nuances and undertones, always completely proper, but with whispers of deep, white-hot passion hidden just beneath the surface, laced with longing, regret, and unspoken desire.  It has movement as natural as the ebb and flow of the tides.  Sometimes it’s like a warm, bittersweet dance with your former boyfriend on his wedding day to a really nice girl.  And sometimes, it’s more like a telepathic orgasm with a total stranger across the room, sizzling, white hot, overpowering, wild, crazy, blissful, quivering, flushed, standing in a crowded room, with no one else around you having any idea of what just happened.  You gulp hard and lick your lips.  No evidence.  And then, from across the room, you see him.  He raises one eyebrow, with just the faintest smile.  Ahhh!”
Kenneth MacKalvey felt himself blush.  His heart was racing.  Finally, someone who understood the height, the width, and the depth of the emotion in his work and actually appreciated it.  Most people didn’t get it at all.
“No, no, my dear, this is KENNETH MacKalvey we’re talking about.”
“Yes, yes, I know.  Kenneth.  He’s so multi-layered!”
“Like an onion, you mean?”
“And so insightful!”
“Really?  James MacAdoon reckoned Mr. MacKalvey’s treatment of him was more like a public flogging.”  Kenneth MacKalvey stiffened and held him breath.  Why would Edwards bring that up now? 
“Oh, Jimmy MacAdoon is as overly-sensitive as they come.  He cries easily.  I’VE made him cry, and I’m a gentle soul.  Scottish men are unreasonably hard on themselves and each other,” she said with a giggle.  “They hold themselves and their male countrymen up to unbelievably high standards on conduct and accomplishment.  That’s why they as a group have made such terrific contributions to society in general.  Cloning. Engineering.  Banking.  Golf. Tennis.  William McKinley.  Alexander Graham Bell.  Charles MacIntosh, the raincoat.  Highway surfacing, John MacAdams.  Steam engine, James Watt.  John Boyd Dunlop, tires.  Postage stamps, John Chalmers.  Kirkpatrick MacMillan, the bicycle.  James MacGregor, bleach.  John Logie Baird, the television.  John Paul Jones, the U.S.Navy.  Sir Robert Watson Watt, radar.  John Napier, logarithms, Alexander Fleming, penicillin.  James Young Simpson, anesthetics.  Shall I go on?  They just need a little extra attention every once in a while, and they’re just fine.”
Kenneth MacKalvey rushed to his room, changed his shirt, combed his hair, and put on a little cologne, all of a sudden craving a little attention from this obviously intelligent, gentle and kind woman, even if she were very homely.  Looks are highly over-rated in today’s society.  An ugly woman can still be a great companion when she’s this intellectual and perceptive, and appreciates a man of his caliber and distinction.  He casually strolled down the hallway and the staircase.
“Oh, Edwards!  I’m suddenly feeling much better.  Is Miss Rosemont still about?  Edwards?  Edwards!” No answer.  He heard a car door shut and looked out the window just in time to see a black Nissan sedan pulling down the driveway, and Edwards waving her off.
“The coast is clear,” Edwards said entering the house.  “The American has left the building.  You are safe from schmoozing, sir,” said Bernard when he came back in the house.
“What was she like, Edwards?” Kenneth asked hesitantly.
“Blue jeans.  Trainers.  Big camera.”
“Yes, but what was she like?”
“Very Nice.  Pleasant.  Sunny. You would have just hated her, sir.”
“Thank you, Edwards.  Yes, I’m sure I would have just hated her.”  Kenneth MacKalvey went back upstairs and sulked.

“Mish, how did it go with Genghis Khan?” asked Tessa, the project manager at the magazine office and Michelle’s best friend.
“Extremely disappointing, Tessa.  He’s sick.  His butler says he’s terminal.”
“Oh, that’s bullshit!  There’s nothing wrong with that nasty old fart, he was probably feeling his usual aristocratic, snobby, antisocial self today.  I can’t see why you like him.  I was really surprised when he agreed to the photo shoot over the phone in the first place, and thrown for a loop when he invited you to have lunch with him at MacKalvey House afterward.  Moira has been trying to get a photographer inside that estate for years. He is known for being arrogant, overbearing, and just plain difficult.  My auntie hates him!”
“Auntie Loretta?  Aunt Loretta loves everybody and feeds everybody.  She’s such a wonderful woman.  She couldn’t hate a soul.”       
“Well, she hates Kenneth MacKalvey.  Never mention his name when she has something sharp in her hand, or when she’s driving,” Tessa warned.
“Why?  He was so sweet and pleasant over the phone.  I can’t imagine him being mean.  He has such a wonderful voice, Tessa.  And I love the way he writes.  I…”
“Yes, and ‘Mr. Sweet and Pleasant’ with the wonderful voice stood you up.  Your little crush stood you up, Mish.  And he’s not dying, and I doubt he’s even sick.  This is the first time in your life you ever got stood up, isn’t it?”
“Yes, and I wanted this, Tessa, to meet him, spend some time with him, talk to him, or just listen to him talk.”
“Welcome to the real world, amica mia, where men are jerks who lie to us, cheat on us, treat us badly, and stand us up.   All they want from us is non-stop sex and no conversation.”
“I can deal with that last part.  You think Moira could talk Kenneth MacKalvey into having some non-stop sex and no conversation with me?”
“Moira has a whole book full of British gentlemen who might agree to that arrangement, but I doubt Kenneth MacKalvey’s on the list. She doesn’t like him either. Nobody around here likes him, Mish. Are you sure you want to meet him? You know what they say, never meet your heroes.”
“Oh, Tess, he was wonderful on the phone, so warm, and sweet.  I felt like I knew him from somewhere else,” she said dreamily, “and knew him very well.”            
“That’s it!  You got the wrong number.  Believe me, there is not a soul in the UK who would use the words wonderful, warm, or sweet to describe Kenneth MacKalvey.  He’s mean, opinionated, nasty, and arrogant.  Forget it, Mish, forget him.  He’s bad news.  Come on, let’s fill in the blanks on next week’s schedule before Moira comes back to the office.  You have your choice.  Yet another Keefer Square shoot or some castle ruins out past Hanover House?” 
“He’s not, Tess.  I know it,” Michelle said softly  “And I can’t forget him.  Um, the castle ruins.  Definitely.”
“Okay.  A hunt in Moreland or some lovely cottages in the valley.”
“Horses make me rash up and sneeze and itch.  The Cotswolds look-alikes.”
“That’s right, the horse thing.  Okay.  The little church on the corner of Howell and Lavelle or ponds in the countryside.”
“Both!  The church won’t take long and I love sloshing around in the mud pondside. I’ll bring my Wellies.”
“Okay.  You’re going to be busy.  I hope the weather cooperates with you.  I’ll print out copies of this, one for Moira, one for you, and one for me, so I know where I sent you.  Okay, we’re done here.”
“No worries.  I make my own sunshine.  Let’s go grab some lunch.  I haven’t eaten.  Remember, the evil Ken doll stood me up.”  They both laughed.
“That fits him so well!  The evil Ken doll.  I can’t.  I’m not supposed to leave the phone unattended.”
“Oh, come on, Tessa, who’s going to call us? This phone never rings. Personally I’ve never heard it ring. I think it lost its ring ability.”
“You’re right.  Who would call us anyway?  Well, okay, but we have to be back before Moira comes in at two o’clock.”  Michelle nodded and they left the office.  
They closed and locked the door.  
A moment later the phone rang.
Kenneth MacKalvey heard the magazine office phone ring and ring, but no one answered it. There was no answering service or machine where he could leave a message for her to return his phone call.  And he wanted to do this now, before he lost confidence and talked himself out of calling her to convince her to reschedule their lunch together.  It would have to be somewhere in town because he still hadn’t found a new cook.  He had no idea how else to reach her.




Thursday, October 18, 2018

INTERVIEW: An Interview with My Favorite Live French Artist, Raphael Seygnovert

An Interview with My Favorite Live French Artist, 

Raphael Seygnovert 

Raphael Seygnovert
French Artist

























Dear Gentle Readers,

What a treat I have for you today! The wonderful French painter Raphael Seygnovert 
has taken time away from his easel to be with us this morning and I am thrilled to bits.

Good morning, Raphael and welcome to Vision and Verse, the place for Art and Authors. 
It is my pleasure to have you here with us. Tell us a little about your work.
When I realize a work, I try more to express a feeling than to follow strictly speaking a
figurative approach with as a theme the landscape. I use an archaic graphic language 
impregnated with all my experience, all my musical and pictorial artistic influences. It is as
if I were trying to express a distant memory that would not have root in our present life. 
As a vision the eyelids closed.





What is your favorite medium?
I love all the pictorial techniques. It is a real pleasure 
to apply and work the pastel with the fingers, I also 
like acrylic but I use it recently; I have a preference 
for oil, it is a very complete technique.


So what does our favorite Frenchman like to eat?
I appreciate French cuisine but as I am a vegetarian it 
is a bit more complicated cuisine. Vegetables, cheeses.
 And I love cooking too.

Coffee or tea?
I drink tea and coffee, but more coffee; In the north 
of France we drink a lot of coffee.


Pizza or ice cream?
The both!  Pizza "Sicilian" and Lemon ice cream.


Where would you like to visit? 
What piques your interest?
I love everything about ancient cultures, ancient civilizations, mysteries ...


Favorite kind of music?
I love acoustic guitar, folk music, mystical music, relaxation music, traditional music and Celtic music. I listen to many different things, I would hardly say my favorite artist.


What makes Raphael Seygnovert laugh?
I laugh easily, I like to laugh with my friends. The imitators make me laugh, the hidden 
cameras too.







This is my very favorite of all your works. I have this print hanging in my bedroom. You call
them bluebells, but in my part of the world, we have tiny pale violet clusters called bluettes,
or Quaker Ladies, that only bloom in the wet, wet spring, only in the woods or parks. They
are my favorite flower. You cannot buy them in a store. You must clomp through the wet 
woods and get all muddy to find them.


How old were you when you began creating art?
I started to paint very young, then being an adult I stopped for a long time to resume after.
But painting, art, is not a craft strictly speaking, it is a way of life. It's not a choice one day 
makes saying "it's an interesting job", or "I can make a lot of money like that!" Or "I will be
famous." This is necessary to us, for we need to create, to express ourselves in this way, 
because it is part of us. I need, as an autotherapeutic way, to paint, it is my medicine ... 
which heals my soul. I think the important thing is to be in agreement with ourselves.



We all like to draw, paint, glue rocks together, snap photos, etc., but we are well aware 
we couldn’t make a living doing it.  When did you know you made the right decision?
I am comforted in my choice by all positive feedback from the people I meet.


Where do you get your inspiration?
Nature is a constant source of inspiration, walking in the middle of the trees has always done
 me good, it is resource, we should try to preserve as many natural spaces as possible. My 
spirituality is also a source of inspiration.


What do you do when you get an artist block?
The artistic blockages I see more like moments of reflection that allow to take a new 
beginning, to have a new eye. We are all the time, internally, dying and reborn to evolve, 
to grow. Like the crysalid and the butterfly.


















Favorite artist?
I like many different artists, I like the Impressionists, Monet, Van Gogh, Cross, Corot and 
also Modigliani ...


If you were not an artist, what would you do for a living?

If I was not a painter, I would have liked to be a professional guitarist, a singer, or a social job.


Who has influenced you most in your life?
The person who has influenced me most is hard to say; I have a thought for my father ..
 he was a great person ... courageous and much more, my mother too.. but I do not forget 
the others, all those people who cross your path and illuminate it even for a short time. 
think we are all like sponges, every interaction, every encounter, changes our life in its 
own way.


What advice would you give someone who aspired to be an artist?I will tell him to paint 
more and more, it is by forging that one becomes a blacksmith.I would tell him to expose 
ever more, meetings and criticisms are always very useful to evolve.To have his own 
opinion about his work and that of others.And getting to know one self, is the best way 
to be authentic.


Links to follow our favorite Frenchman:

twitter: @seygnovert

Thank you for taking time out of your busy schedule to be with us today. We at Vision and 
Verse wish you continued success in all your endeavors. Come back and see us again!